Art 305 - Art and Mass Culture » Summer 2020 » 19th Century Quiz No. 6

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Question #1
The ideas embodied in Edward Said’s theory of Orientalism can be seen in artworks such as:
A.   Matisse's odalisques from the 1920s which reflect European cultural attitudes about dominance and submission
B.   all of these options
C.   Gerome's "Slave Market" which depicts slave traders in Islamic Egypt
D.   Ingres' "La Grande Odalisque" which depicts a voluptuous nude woman posed as a harem girl
E.   none of these options
Question #2
Henri Rousseau’s painting “The Dream” can be described as:
A.   the depiction of the real lives of the poor and working class
B.   the use of realism in avant-garde art of the 19th century
C.   a rejection of civilization based upon his travels to Tahiti
D.   an affirmation of the myth of the autonomous individual
E.   the reinforcement of women as objects of the male gaze
Question #3
Claude Monet’s numerous paintings of haystacks and cathedrals emphasized the changing conditions of light which affected visual sensations:
A.   TRUE
B.   FALSE
Question #4
Gustave Courbet’s painting “Burial at Ornans” depicts the mourners as:
A.   bourgeoisie upper middle class members of society
B.   romantically sweetened, cleaned up, and beautiful
C.   none of these options
D.   peasants with the crudity and course surface of everyday life
E.   all of these options
Question #5
Vincent Van Gogh’s art and life:
A.   have been the source for more films than any other artist
B.   point to the understanding of avant-garde art as spiritual revelation
C.   all of these options
D.   are the basis for much of the modern myth about the artist a crazed and misunderstood
E.   none of these options
Question #6
Which of the following Post-Impressionist artists left Europe for the South Pacific in order to find a more “pure” and “primitive” life?
A.   Henri Rousseau
B.   Vincent Van Gogh
C.   Claude Monet
D.   Paul Cezanne
E.   Paul Gaugin
Question #7
Edward Said’s theory of Orientalism can best be described as:
A.   the European belief in Middle Eastern, South Asian, and East Asian cultures as superior to the West
B.   the European representation of women of non-Western cultures as superior to Western depictions
C.   the European belief in Middle Eastern, South Asian, and East Asian cultures as rational and developed
D.   a European invention of the Orient as a place of romance, exotic people, landscapes, and experiences
E.   a European concept of the Middle East as a place of great technological advances and world history
Question #8
Many nineteenth century images depict women passively displayed as objects to be “consumed” by the male gaze:
A.   TRUE
B.   FALSE
Question #9
Which artist focused on Impressionist images of the wealthy and privileged?
A.   Claude Monet
B.   Gustave Courbet
C.   Paul Gaugin
D.   Mary Cassatt
E.   Vincent Van Gogh
Question #10
French Impressionist Claude Monet insisted that the basic content of human perception, and of art, was:
A.   none of these options
B.   all of these options
C.   linear perspective space
D.   internal experience
E.   light and color

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