Music 111 - Music Appreciation » Winter 2021 » Chapter 29B Listening Activity

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Question #1
Listen to the following example and answer the question below concerning its musical traits. The rhythm is: Mozart: Confutatis, from Requiem
A.   strongly accented throughout
B.   strongly accented, changing to veiled accents
Question #2
Listen to the following example and answer the question below concerning its musical traits. The texture is best described as: Mozart: Confutatis, from Requiem
A.   voices singing together, while instruments have independent parts
B.   voices in imitation of each other, with orchestral accompaniment
Question #3
Listen to the following example and answer the question below concerning its musical traits. The mood can be expressed as: Mozart: Confutatis, from Requiem
A.   consistently dramatic
B.   alternating dramatic and serene
Question #4
Listen to the following example and answer the question below concerning its musical traits. The performing forces: Mozart: Confutatis, from Requiem
A.   begin with a huge orchestra and full soprano-alto-tenor-bass (SATB) choir
B.   begin with men's voices and orchestra
Question #5
Listen to the following example and answer the question below concerning its musical traits. The rhythm is: Verdi: Dies iras, from Requiem
A.   strongly accented, changing to veiled accents
B.   strongly accented throughout
Question #6
Listen to the following example and answer the question below concerning its musical traits. The texture is best described as: Verdi: Dies iras, from Requiem
A.   voices singing together, while instruments have in depending parts
B.   voices in imitation of each other, with orchestral accompaniment
Question #7
Listen to the following example and answer the question below concerning its musical traits. The mood can be expressed as: Verdi: Dies iras, from Requiem
A.   alternating dramatic and serene
B.   consistently dramatic
Question #8
Listen to the following example and answer the question below concerning its musical traits. The performing forces: Verdi: Dies iras, from Requiem
A.   begin with men's voices and orchestra
B.   begin with a huge orchestra and full soprano-alto-tenor-bass (SATB) choir

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