Music 111 - Music Appreciation » Winter 2021 » Chapter 20 Listening Activity
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Question #1
Listen to this keyboard work. Match the piece to an instrument and to an era. Bach: Jesu, Joy of Man's Desiring Instrument:
A.
harpsichord
B.
piano
C.
organ
Question #2
Listen to this keyboard work. Match the piece to an instrument and to an era. Bach: Jesu, Joy of Man's Desiring Era:
A.
Classical era
B.
Baroque era
Question #3
Listen to this keyboard work. Match the piece to an instrument and to an era. Minuet in D minor Instrument:
A.
piano
B.
organ
C.
harpsichord
Question #4
Listen to this keyboard work. Match the piece to an instrument and to an era. Minuet in D minor Era:
A.
Baroque era
B.
Classical era
Question #5
Listen to this keyboard work. Match the piece to an instrument and to an era. Mozart: Ah! vous dirai je, maman Instrument:
A.
piano
B.
organ
C.
harpsichord
Question #6
Listen to this keyboard work. Match the piece to an instrument and to an era. Mozart: Ah! vous dirai je, maman Era:
A.
Baroque era
B.
Classical era
Question #7
Listen to the work below to decide the prevailing melodic/rhythmic traits, the texture, and the era that best suits this description. Bach: Brandenburg Concerto No. 1, I Melody/Rhythm:
A.
symmetrical phrases with regularly accented meter
B.
continuous line with energetic rhythm
Question #8
Listen to the work below to decide the prevailing melodic/rhythmic traits, the texture, and the era that best suits this description. Bach: Brandenburg Concerto No. 1, I Texture:
A.
homophonic
B.
polyphonic
Question #9
Listen to the work below to decide the prevailing melodic/rhythmic traits, the texture, and the era that best suits this description. Bach: Brandenburg Concerto No. 1, I Era:
A.
Classical era
B.
Baroque era
Question #10
Listen to the work below to decide the prevailing melodic/rhythmic traits, the texture, and the era that best suits this description. Haydn: Emperor Quartet, II Melody/Rhythm:
A.
symmetrical phrases with regularly accented meter
B.
continuous line with energetic rhythm
Question #11
Listen to the work below to decide the prevailing melodic/rhythmic traits, the texture, and the era that best suits this description. Haydn: Emperor Quartet, II Texture:
A.
polyphonic
B.
homophonic
Question #12
Listen to the work below to decide the prevailing melodic/rhythmic traits, the texture, and the era that best suits this description. Haydn: Emperor Quartet, II Era
A.
Baroque era
B.
Classical era
Question #13
Note the specific genre that best suits the example below and note the era in which it was composed. Handel: Alla hornpipe, from Water Music Genre:
A.
suite
B.
symphony
C.
concerto grosso
D.
solo concerto
Question #14
Note the specific genre that best suits the example below and note the era in which it was composed. Handel: Alla hornpipe, from Water Music Era:
A.
Baroque era
B.
Classical era
Question #15
Note the specific genre that best suits the example below and note the era in which it was composed. Mozart: Clarinet Concerto, II Genre:
A.
solo concerto
B.
suite
C.
symphony
D.
concerto grosso
Question #16
Note the specific genre that best suits the example below and note the era in which it was composed. Mozart: Clarinet Concerto, II Era:
A.
Classical era
B.
Baroque era
Question #17
Note the specific genre that best suits the example below and note the era in which it was composed. Bach: Brandenburg Concerto, I Genre:
A.
solo concerto
B.
suite
C.
concerto grosso
D.
symphony
Question #18
Note the specific genre that best suits the example below and note the era in which it was composed. Bach: Brandenburg Concerto, I Era:
A.
Classical era
B.
Baroque era
Question #19
Note the specific genre that best suits the example below and note the era in which it was composed. Mouret: Rondeau, from Suite de symphonies Genre:
A.
suite
B.
symphony
C.
solo concerto
D.
concerto grosso
Question #20
Note the specific genre that best suits the example below and note the era in which it was composed. Mouret: Rondeau, from Suite de symphonies Era:
A.
Classical era
B.
Baroque era
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