Art 1010 - Introduction to Art » Fall 2021 » Exam 1

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Question #1
The process of using a series of parallel lines set close to one another to differentiate planes of value in a work of art is called ________.
A.   palette
B.   perspective
C.   core shadow
D.   highlight
E.   hatching
Question #2
A sculpture that can be viewed from more than one side and that occupies space in the same way as other real-life objects is called a ________ sculpture.
A.   heroic
B.   high relief
C.   bas-relief
D.   implied
E.   freestanding
Question #3
One-point perspective does convey depth, but it has limited applications due to its reliance on a single ________.
A.   vanishing point
B.   color
C.   medium
D.   volume
E.   shape
Question #4
Artists can create a sense of ________ by using light and dark values.
A.   fear
B.   depth
C.   humor
D.   height
E.   tension
Question #5
When objects are far away they lack contrast, detail, and sharpness of focus because of the interference of air. Artists take advantage of this when they use the process called:
A.   chiaroscuro
B.   cross-hatching
C.   atmospheric perspective
D.   highlight
E.   isometric perspective
Question #6
Forms such as pyramids, which tend to be precise and regular, are known as ________ forms.
A.   organic
B.   actual
C.   geometric
D.   implied
E.   textured
Question #7
Hatching and cross-hatching use two-dimensional lines to communicate ________ depth.
A.   colorful
B.   three-dimensional
C.   unexpected
D.   actual
E.   textural
Question #8
This type of shape is composed of unpredictable, irregular lines.
A.   geometric
B.   implied
C.   organic
D.   actual
E.   measured
Question #9
When using a series of squares that are exactly the same shape, implied depth can be achieved by ________.
A.   relative position
B.   overlapping
C.   all of the other answers
D.   relative size
E.   alternating value
Question #10
This is the system for creating an illusion of depth using three basic components: horizon line, vanishing point, and convergence lines.
A.   highlight
B.   linear perspective
C.   palette
D.   atmospheric perspective
E.   chiaroscuro
Question #11
In a two-dimensional work, when the figure becomes the background and the background becomes the figure, we perceive ________.
A.   a form
B.   an implied shape
C.   a figure–ground reversal
D.   an organic shape
E.   a geometric shape
Question #12
A sculpture designed in the round can be viewed from ________.
A.   one direction
B.   the interior
C.   nearly every angle
D.   above only
E.   the front and back only
Question #13
A two-dimensional object is called a shape, and a three-dimensional object is known as a ________.
A.   building
B.   form
C.   pyramid
D.   cube
E.   relief
Question #14
The chiaroscuro method uses five defined values: cast shadow, reflected light, core shadow, light, and ________.
A.   scale
B.   highlight
C.   plane
D.   film noir
E.   palette
Question #15
A three-dimensional surface that is designed to be viewed from only one direction is known as a ________.
A.   form in the round
B.   relief
C.   volume
D.   mass
E.   texture
Question #16
These four visual elements of art—form, volume, mass, and texture—are present in ________ works of art.
A.   three-dimensional
B.   large
C.   modern
D.   two-dimensional
E.   balanced
Question #17
The lightness or darkness of a surface is the element of art called ________.
A.   color
B.   value
C.   shape
D.   line
E.   space
Question #18
This method of applying value to a two-dimensional artwork in order to create the illusion of a three-dimensional solid form is called ________.
A.   film noir
B.   palette
C.   perspective
D.   value range
E.   chiaroscuro
Question #19
If vertical lines communicate strength, horizontals calm, and diagonals action, then a vacation resort might want to choose a logo consisting of ________ lines in order to show peaceful repose.
A.   scribbled
B.   chaotic
C.   vertical
D.   horizontal
E.   diagonal
Question #20
An artist can use color to indicate depth. When a color is very pure and intense then it seems to be ________.
A.   further
B.   lighter
C.   closer
D.   darker
E.   flatter
Question #21
An artist paints a scene with a large mountain, which lacks detail and is out of focus, and a tree, which is sharply defined and bright green. The viewer might assume that the mountain is ________ than the tree.
A.   much closer
B.   further away
C.   older
D.   smaller
E.   more important

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