Art 1010 - Introduction to Art » Fall 2021 » Exam 1

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Question #1
The process of using a series of parallel lines set close to one another to differentiate planes of value in a work of art is called ________.
A.   perspective
B.   core shadow
C.   hatching
D.   highlight
E.   palette
Question #2
A sculpture that can be viewed from more than one side and that occupies space in the same way as other real-life objects is called a ________ sculpture.
A.   implied
B.   freestanding
C.   high relief
D.   heroic
E.   bas-relief
Question #3
One-point perspective does convey depth, but it has limited applications due to its reliance on a single ________.
A.   vanishing point
B.   medium
C.   volume
D.   color
E.   shape
Question #4
Artists can create a sense of ________ by using light and dark values.
A.   fear
B.   depth
C.   tension
D.   humor
E.   height
Question #5
When objects are far away they lack contrast, detail, and sharpness of focus because of the interference of air. Artists take advantage of this when they use the process called:
A.   cross-hatching
B.   chiaroscuro
C.   highlight
D.   atmospheric perspective
E.   isometric perspective
Question #6
Forms such as pyramids, which tend to be precise and regular, are known as ________ forms.
A.   geometric
B.   implied
C.   actual
D.   textured
E.   organic
Question #7
Hatching and cross-hatching use two-dimensional lines to communicate ________ depth.
A.   three-dimensional
B.   textural
C.   actual
D.   colorful
E.   unexpected
Question #8
This type of shape is composed of unpredictable, irregular lines.
A.   organic
B.   measured
C.   geometric
D.   implied
E.   actual
Question #9
When using a series of squares that are exactly the same shape, implied depth can be achieved by ________.
A.   all of the other answers
B.   relative position
C.   alternating value
D.   overlapping
E.   relative size
Question #10
This is the system for creating an illusion of depth using three basic components: horizon line, vanishing point, and convergence lines.
A.   linear perspective
B.   palette
C.   atmospheric perspective
D.   highlight
E.   chiaroscuro
Question #11
In a two-dimensional work, when the figure becomes the background and the background becomes the figure, we perceive ________.
A.   an organic shape
B.   an implied shape
C.   a geometric shape
D.   a figure–ground reversal
E.   a form
Question #12
A sculpture designed in the round can be viewed from ________.
A.   nearly every angle
B.   the front and back only
C.   above only
D.   the interior
E.   one direction
Question #13
A two-dimensional object is called a shape, and a three-dimensional object is known as a ________.
A.   form
B.   relief
C.   cube
D.   building
E.   pyramid
Question #14
The chiaroscuro method uses five defined values: cast shadow, reflected light, core shadow, light, and ________.
A.   highlight
B.   film noir
C.   plane
D.   palette
E.   scale
Question #15
A three-dimensional surface that is designed to be viewed from only one direction is known as a ________.
A.   texture
B.   mass
C.   form in the round
D.   volume
E.   relief
Question #16
These four visual elements of art—form, volume, mass, and texture—are present in ________ works of art.
A.   two-dimensional
B.   large
C.   three-dimensional
D.   modern
E.   balanced
Question #17
The lightness or darkness of a surface is the element of art called ________.
A.   line
B.   space
C.   color
D.   shape
E.   value
Question #18
This method of applying value to a two-dimensional artwork in order to create the illusion of a three-dimensional solid form is called ________.
A.   value range
B.   palette
C.   chiaroscuro
D.   film noir
E.   perspective
Question #19
If vertical lines communicate strength, horizontals calm, and diagonals action, then a vacation resort might want to choose a logo consisting of ________ lines in order to show peaceful repose.
A.   chaotic
B.   diagonal
C.   horizontal
D.   vertical
E.   scribbled
Question #20
An artist can use color to indicate depth. When a color is very pure and intense then it seems to be ________.
A.   flatter
B.   further
C.   closer
D.   darker
E.   lighter
Question #21
An artist paints a scene with a large mountain, which lacks detail and is out of focus, and a tree, which is sharply defined and bright green. The viewer might assume that the mountain is ________ than the tree.
A.   smaller
B.   more important
C.   much closer
D.   older
E.   further away

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