Art 1010 - Introduction to Art » Fall 2021 » Exam 1

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Question #1
The process of using a series of parallel lines set close to one another to differentiate planes of value in a work of art is called ________.
A.   hatching
B.   palette
C.   perspective
D.   highlight
E.   core shadow
Question #2
A sculpture that can be viewed from more than one side and that occupies space in the same way as other real-life objects is called a ________ sculpture.
A.   bas-relief
B.   implied
C.   heroic
D.   high relief
E.   freestanding
Question #3
One-point perspective does convey depth, but it has limited applications due to its reliance on a single ________.
A.   vanishing point
B.   color
C.   medium
D.   shape
E.   volume
Question #4
Artists can create a sense of ________ by using light and dark values.
A.   height
B.   depth
C.   fear
D.   tension
E.   humor
Question #5
When objects are far away they lack contrast, detail, and sharpness of focus because of the interference of air. Artists take advantage of this when they use the process called:
A.   chiaroscuro
B.   isometric perspective
C.   highlight
D.   atmospheric perspective
E.   cross-hatching
Question #6
Forms such as pyramids, which tend to be precise and regular, are known as ________ forms.
A.   actual
B.   organic
C.   implied
D.   geometric
E.   textured
Question #7
Hatching and cross-hatching use two-dimensional lines to communicate ________ depth.
A.   textural
B.   actual
C.   three-dimensional
D.   unexpected
E.   colorful
Question #8
This type of shape is composed of unpredictable, irregular lines.
A.   geometric
B.   measured
C.   organic
D.   actual
E.   implied
Question #9
When using a series of squares that are exactly the same shape, implied depth can be achieved by ________.
A.   relative position
B.   all of the other answers
C.   relative size
D.   alternating value
E.   overlapping
Question #10
This is the system for creating an illusion of depth using three basic components: horizon line, vanishing point, and convergence lines.
A.   linear perspective
B.   palette
C.   highlight
D.   chiaroscuro
E.   atmospheric perspective
Question #11
In a two-dimensional work, when the figure becomes the background and the background becomes the figure, we perceive ________.
A.   a figure–ground reversal
B.   an organic shape
C.   a geometric shape
D.   an implied shape
E.   a form
Question #12
A sculpture designed in the round can be viewed from ________.
A.   the front and back only
B.   one direction
C.   the interior
D.   above only
E.   nearly every angle
Question #13
A two-dimensional object is called a shape, and a three-dimensional object is known as a ________.
A.   form
B.   relief
C.   pyramid
D.   cube
E.   building
Question #14
The chiaroscuro method uses five defined values: cast shadow, reflected light, core shadow, light, and ________.
A.   scale
B.   highlight
C.   film noir
D.   plane
E.   palette
Question #15
A three-dimensional surface that is designed to be viewed from only one direction is known as a ________.
A.   form in the round
B.   volume
C.   texture
D.   relief
E.   mass
Question #16
These four visual elements of art—form, volume, mass, and texture—are present in ________ works of art.
A.   three-dimensional
B.   two-dimensional
C.   balanced
D.   modern
E.   large
Question #17
The lightness or darkness of a surface is the element of art called ________.
A.   shape
B.   color
C.   value
D.   space
E.   line
Question #18
This method of applying value to a two-dimensional artwork in order to create the illusion of a three-dimensional solid form is called ________.
A.   value range
B.   chiaroscuro
C.   palette
D.   perspective
E.   film noir
Question #19
If vertical lines communicate strength, horizontals calm, and diagonals action, then a vacation resort might want to choose a logo consisting of ________ lines in order to show peaceful repose.
A.   vertical
B.   diagonal
C.   scribbled
D.   chaotic
E.   horizontal
Question #20
An artist can use color to indicate depth. When a color is very pure and intense then it seems to be ________.
A.   lighter
B.   flatter
C.   closer
D.   darker
E.   further
Question #21
An artist paints a scene with a large mountain, which lacks detail and is out of focus, and a tree, which is sharply defined and bright green. The viewer might assume that the mountain is ________ than the tree.
A.   smaller
B.   older
C.   much closer
D.   further away
E.   more important

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