A.   False

B.   True

A.   literary symbols

B.   archetypes

C.   traditional symbols

D.   conventional symbols

A.   traditional symbols

B.   archetypes

C.   conventional symbols

D.   literary symbols

A.   True

B.   False

A.   False

B.   True

A.   Comparing two things using "like" or "as".

B.   A meaning or outcome that is the opposite of what is expected.

C.   Comparing two things without using "like" or "as."

A.   Comparing two things using "like" or "as".

B.   Comparing two things without using "like" or "as."

C.   When a part of something stands for the whole.

A.   A brief reference to another person, place thing, event, or text outside of the text.

B.   A meaning or outcome that is the opposite of what is expected.

C.   Attributing human characteristics to something non-human.

A.   A meaning or outcome that is the opposite of what is expected.

B.   A brief reference to another person, place thing, event, or text outside of the text.

C.   When a part of something stands for the whole.

A.   A person, place, object, or image that represents more than its literal meaning.

B.   An extended associatio, sustained in every element, and throughout the entire work, between two levels of meaning - literal and symbolic.

C.   When a part of something stands for the whole.

A.   An extended associatio, sustained in every element, and throughout the entire work, between two levels of meaning - literal and symbolic.

B.   When a part of something stands for the whole.

C.   Attributing human characteristics to something non-human.

A.   A meaning or outcome that is the opposite of what is expected.

B.   A person, place, object, or image that represents more than its literal meaning.

C.   A brief reference to another person, place thing, event, or text outside of the text.

A.   A meaning or outcome that is the opposite of what is expected.

B.   An extended associatio, sustained in every element, and throughout the entire work, between two levels of meaning - literal and symbolic.

C.   A brief reference to another person, place thing, event, or text outside of the text.

A.   He tells her that he loves her.

B.   He ask about removing her birthmark.

C.   He asks if she understands Natural Philosophy.

D.   He comments on her beauty and intelligence.

A.   eradicating the influence of fairies

B.   his love of scientific achievement

C.   finding the perfect woman

D.   keeping Georgiana away from the eyes of other men

A.   He redecorates the laboratory as a feminine space.

B.   He removes all poisons and dangerous materials.

C.   He furnishes her with a library for reading.

D.   He hires a manservant named Aminadab to cater to her needs.

A.   that the birthmark is disappearing

B.   that Aylmer is cheating on her

C.   that Aminadab and Aylmer are actually the same person

D.   that Aylmer is experimenting on her

A.   It was grotesque and bloody.

B.   Lavendar was too slow.

C.   It was like watching a rock fall.

D.   It was like watching a guy die in the movies.

A.   He is trapped and dies.

B.   Nothing happens.

C.   He is trapped but then rescued.

D.   He finds a woman in the tunnel.

A.   He burns Martha’s letters and photos.

B.   He escapes Vietnam on a jet plane.

C.   He reads Martha’s letters over and over.

D.   He writes to Martha, professing his love.