A.   False

B.   True

A.   conventional symbols

B.   literary symbols

C.   archetypes

D.   traditional symbols

A.   literary symbols

B.   conventional symbols

C.   archetypes

D.   traditional symbols

A.   True

B.   False

A.   False

B.   True

A.   Comparing two things without using "like" or "as."

B.   A meaning or outcome that is the opposite of what is expected.

C.   Comparing two things using "like" or "as".

A.   Comparing two things without using "like" or "as."

B.   When a part of something stands for the whole.

C.   Comparing two things using "like" or "as".

A.   A meaning or outcome that is the opposite of what is expected.

B.   Attributing human characteristics to something non-human.

C.   A brief reference to another person, place thing, event, or text outside of the text.

A.   A brief reference to another person, place thing, event, or text outside of the text.

B.   A meaning or outcome that is the opposite of what is expected.

C.   When a part of something stands for the whole.

A.   A person, place, object, or image that represents more than its literal meaning.

B.   An extended associatio, sustained in every element, and throughout the entire work, between two levels of meaning - literal and symbolic.

C.   When a part of something stands for the whole.

A.   When a part of something stands for the whole.

B.   Attributing human characteristics to something non-human.

C.   An extended associatio, sustained in every element, and throughout the entire work, between two levels of meaning - literal and symbolic.

A.   A person, place, object, or image that represents more than its literal meaning.

B.   A meaning or outcome that is the opposite of what is expected.

C.   A brief reference to another person, place thing, event, or text outside of the text.

A.   A brief reference to another person, place thing, event, or text outside of the text.

B.   An extended associatio, sustained in every element, and throughout the entire work, between two levels of meaning - literal and symbolic.

C.   A meaning or outcome that is the opposite of what is expected.

A.   He asks if she understands Natural Philosophy.

B.   He ask about removing her birthmark.

C.   He comments on her beauty and intelligence.

D.   He tells her that he loves her.

A.   his love of scientific achievement

B.   finding the perfect woman

C.   eradicating the influence of fairies

D.   keeping Georgiana away from the eyes of other men

A.   He redecorates the laboratory as a feminine space.

B.   He furnishes her with a library for reading.

C.   He hires a manservant named Aminadab to cater to her needs.

D.   He removes all poisons and dangerous materials.

A.   that Aylmer is experimenting on her

B.   that Aylmer is cheating on her

C.   that Aminadab and Aylmer are actually the same person

D.   that the birthmark is disappearing

A.   Lavendar was too slow.

B.   It was grotesque and bloody.

C.   It was like watching a guy die in the movies.

D.   It was like watching a rock fall.

A.   Nothing happens.

B.   He is trapped and dies.

C.   He finds a woman in the tunnel.

D.   He is trapped but then rescued.

A.   He reads Martha’s letters over and over.

B.   He escapes Vietnam on a jet plane.

C.   He burns Martha’s letters and photos.

D.   He writes to Martha, professing his love.