Music 306 - Introduction to Jazz » Spring 2022 » CH 12-16 Review Quiz
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Question #1
Which of the following is NOT the ideological schism between fans of different schools of jazz performance?
A.
Dixieland fans shunning Louis Armstrong’s embrace of popular songs
B.
swing fans shunning bebop as undanceable
C.
bebop fans shunning the 1960s avant-garde as noise
D.
hard bop fans shunning Dizzy Gillespie as a corporate sell-out
Question #2
When did the word “jazz” achieve its present-day historical meaning?
A.
during the Swing Era, when jazz was the nation’s popular music
B.
in the late 1960s, when avant-garde improvisers began denying the influence of jazz
C.
in the 1920s, when New Orleans jazz began to spread worldwide
D.
in the aftermath of bop, when the multiplicity of schools made a unifying term necessary
Question #3
All of the following were creative goals of the Miles Davis Nonet EXCEPT:
A.
warm timbres emphasizing each instrument’s middle range
B.
an insistent pulse for dancers
C.
a more relaxed pace than bebop
D.
a balance between composition and improvisation
Question #4
This arranger’s apartment on 55th Street in New York became an important meeting place for progressive musicians in the 1950s.
A.
Claude Thornhill
B.
John Lewis
C.
Gil Evans
D.
Gunther Schuller
Question #5
Which school of 1950s jazz emphasized heavy, dark timbres; featured tenor saxophone more often than alto; and used an assertive, hard-swinging drumming style?
A.
Modal Jazz
B.
Cool Jazz
C.
Third Stream
D.
Hard Bop
Question #6
Which 1948 change in audio technology enabled musicians to release records with around twenty minutes of music per side?
A.
stereo recording
B.
33 ⅓-rpm microgroove LPs
C.
45-rpm records
D.
wire recorders
Question #7
Which drummer’s band served as a training ground or showcase for many modern jazz musicians, including Freddie Hubbard, Wayne Shorter, Wynton Marsalis, Hank Mobley, and Cedar Walton?
A.
Kenny Clarke
B.
Philly Jo Jones
C.
Art Blakey
D.
Max Roach
Question #8
Cool jazz and hard bop are divergent schools that both developed from the shared practices of ________ of the 1940s.
A.
Modal Jazz
B.
Swing
C.
Be bop
D.
Dixieland Jazz
Question #9
Which pianist worked to bring together the baroque polyphony of J. S. Bach and the rhythmic feeling of the blues.
A.
Horace Silver
B.
Lennie Tristano
C.
John Lewis
D.
Dave Brubeck
Question #10
Forward-thinking jazz composers of the 1950s combined modern jazz style with all of the following traditional elements EXCEPT:
A.
classical chamber music forms
B.
stride piano
C.
standard jazz and pop themes
D.
short breaks
Question #11
Which is the most widely recorded of Thelonious Monk’s early compositions?
A.
Epistrophy
B.
Hackensack
C.
’Round Midnight
D.
Ruby, My Dear
Question #12
In 1957, Thelonious Monk played a long engagement at the Five Spot with which important tenor saxophonist?
A.
Ben Webster
B.
Charlie Rouse
C.
Sonny Rollins
D.
John Coltrane
Question #13
What was the political message of Charles Mingus’s “Fables of Faubus”?
A.
It criticized President Eisenhower.
B.
It was pro-integration.
C.
It was pro-communist.
D.
It was pro-women’s rights.
Question #14
Although he composed original works, Gil Evans is known primarily as:
A.
an arranger
B.
a pianist
C.
a music theorist
D.
a concert organizer
Question #15
All of the following are signature aspects of Gil Evans’s arrangements EXCEPT:
A.
a wide range of instrumental registers
B.
sonorous slow-moving chords
C.
generous use of counterpoint
D.
a close musical connection to the harmonies and textures of the original composition
Question #16
George Russell’s Lydian Chromatic Concept forms the basis for which approach to jazz improvisation?
A.
fusion
B.
harmonic substitution
C.
bebop
D.
modalism
Question #17
Thelonious Monk mentored this younger pianist helping to connect him/her to the inner circle of bebop innovators.
A.
Mary Lou Williams
B.
Bill Evans
C.
Bud Powell
D.
Marian McPartland
Question #18
This Miles Davis album popularized the modal approach to jazz improvisation.
A.
Milestones
B.
Kind of Blue
C.
Birth of the Cool
D.
Walkin'
Question #19
Why is Miles Davis considered the most important figure in postwar jazz?
A.
He invented the theory behind modal jazz.
B.
He was the most vocal advocate of Civil Rights.
C.
He had a great capacity for change.
D.
He was the most consistent in his musical output over two decades.
Question #20
Throughout his career, Miles Davis relentlessly experimented with each of the following elements except:
A.
instrumentation
B.
intonation
C.
melody
D.
harmony
Question #21
At age nineteen Miles Davis was hired to record with which bebop figure?
A.
Thelonious Monk
B.
Charlie Parker
C.
Dizzy Gillespie
D.
Max Roach
Question #22
Which of the following is NOT the title of an album recorded by Miles Davis’s first great quintet and released on the independent Prestige label?
A.
Cookin'
B.
Workin'
C.
Relaxin'
D.
Jammin'
Question #23
Miles Davis and Gil Evans conceived of Miles Ahead as an extension and expansion of which earlier recording?
A.
The Birth of the Cool
B.
Milestones
C.
Kind of Blue
D.
Sketches of Spain
Question #24
Which Bill Evans composition, featured on Kind of Blue, makes use of a ten-measure chord sequence with no obvious beginning or ending?
A.
Blue in Green
B.
Freddie Freeloader
C.
So What
D.
Very Early
Question #25
Which John Coltrane composition is considered a test pattern for music students attempting to master fast-moving harmonies?
A.
Giant Steps
B.
So What
C.
Ascension
D.
Blue Trane
Question #26
Which musician served as a primary composer within Miles Davis’s second great quintet?
A.
John Coltrane
B.
Miles Davis
C.
Gil Evans
D.
Wayne Shorter
Question #27
Who was the drummer in Miles Davis' first great quintet?
A.
Elvin Jones
B.
Tony Williams
C.
Philly Jo Jones
D.
Jimmy Cobb
Question #28
Who were the saxophonists on Kind of Blue?
A.
Charlie Parker and Lester Young
B.
Sonny Rollins and Sonny Stitt
C.
Lee Konitz and Gerry Mulligan
D.
Cannonball Adderley and John Coltrane
Question #29
Which John Coltrane album was dedicated to a spiritual higher power, or G-d?
A.
A Love Supreme
B.
My Favorite Things
C.
Sun Ship
D.
Giant Steps
Question #30
What is the original context of the term avant-garde?
A.
theater
B.
philosophy
C.
visual art
D.
military
Question #31
The first wave of avant-garde art was inspired by all of the following innovations EXCEPT:
A.
the emergence of African American artists as equal to their white counterparts
B.
he devastation of World War I
C.
new technology that enabled rapid communication across long distances
D.
the expansion of women’s rights
Question #32
Which of the following titles was NOT used to describe the avant-garde jazz of the 1960s?
A.
Black Music
B.
free jazz
C.
post-jazz
D.
anti-jazz
Question #33
Ornette Coleman’s 1959 residency at this New York club established him as a major player in avant-garde jazz and one of the most divisive figures of the era.
A.
The Village Vanguard
B.
Birdland
C.
Minton’s Playhouse
D.
The Five Spot
Question #34
What was the name of Ornette Coleman's bassist on his 1959 album The Shape of Jazz to Come?
A.
Charlie Haden
B.
Charles Mingus
C.
Paul Chambers
D.
Scott La Faro
Question #35
Before leading his own ensemble, Cecil Taylor trained in what musical idiom?
A.
swing
B.
bebop
C.
blues
D.
classical
Question #36
Which major jazz figure, who had established credentials by mastering bebop, served as an unofficial referee in debates about avant-garde jazz?
A.
Dizzy Gillespie
B.
Miles Davis
C.
Bill Evans
D.
John Coltrane
Question #37
A.
Mercury
B.
Earth
C.
Saturn
D.
Mars
Question #38
In the 1970s, musicians dedicated to free improvisation undertook a mass migration to establish the loft scene of which major city?
A.
Los Angeles
B.
Paris
C.
Chicago
D.
New York
Question #39
What1961 recording captured a thirty-seven minute collective improvisation by a group that Ornette Coleman referred to as his Double Quartet.
A.
Song X
B.
Free Jazz
C.
Tomorrow is the Question
D.
The Shape of Jazz to Come
Question #40
This musician single-handedly made the bass clarinet a significant instrument in jazz.
A.
Sonny Rollins
B.
John Coltrane
C.
Benny Goodman
D.
Eric Dolphy
Question #41
In Chapter 16, the textbook authors define “fusion” as all music situated on the boundary between jazz and:
A.
gospel music
B.
popular music
C.
classical music
D.
world music
Question #42
Which bandleader is most closely associated with “jump” music, which grew into rhythm and blues?
A.
Lionel Hampton
B.
Louis Armstrong
C.
Cab Calloway
D.
Louis Jordan
Question #43
Through his use of bluesy piano chords and a group of background singers, Ray Charles maintained a close connection with which American musical tradition?
A.
ragtime
B.
blues
C.
gospel
D.
bebop
Question #44
Which jazz label released the soul jazz hits “Watermelon Man,” “The Sidewinder,” and “Song for My Father” in the 1960s?
A.
Prestige
B.
Riverside
C.
Blue Note
D.
Columbia
Question #45
Which is NOT a reason why the 1950s are described as a golden age for singers of the great American songbook?
A.
The rise of television helped sustain the careers of established performers.
B.
There were many gifted vocalists.
C.
Singers abandoned jazz and swing styles, updating the songbook with fresh new pop arrangements.
D.
A large repertory of high-quality songs had been created between the 1920s and the 1950s.
Question #46
A.
to blend into the ensemble like an instrumentalist
B.
to sing long phrases without breathing
C.
to communicate the meaning of the lyrics through his phrasing
D.
to perform with perfect rhythmic accuracy
Question #47
Which of the following was an American dance craze based on Cuban music?
A.
mambo
B.
rumba
C.
all of the answers
D.
cha-cha-cha
Question #48
Which is NOT true of clave as used in Cuban music and Afro-Cuban jazz?
A.
It is the foundation for the contrasting rhythms played by the rest of the ensemble.
B.
It is an asymmetrical, two-measure rhythmic pattern.
C.
Clave is the Spanish word for “keystone.”
D.
Clave originated in Cuba.
Question #49
Bossa nova emerged in the 1950s as a new twist on which traditional Latin American tradition?
A.
salsa
B.
samba
C.
merengue
D.
son
Question #50
All of the following contributed to the American embrace of bossa nova EXCEPT:
A.
Bossa nova’s aggressive rhythms fit the revolutionary spirit of 1960s America.
B.
The Cuban Revolution led to an embargo on Cuban cultural imports.
C.
Saxophonist Stan Getz recorded several bossa nova records after his association with guitarist Charlie Byrd.
D.
Touring musicians discovered the songs of Antonio Carlos Jobim.
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