Art 102 - Survey of Art History 2 » Spring 2022 » Ingres, La Grande Odalisque
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Question #1
The painting reflects imperialist attitudes of French moral superiority that were used to justify colonialism over non-European cultures.
A.
False
B.
True
Question #2
The painting is quite sensuous, Ingres retains the Neoclassical trait of
A.
blurry focus
B.
loose brushwork
C.
linear precision
Question #3
Ingres takes liberty with anatomical form in order to . . .
A.
recall Mannerist artists and the ideas of the Counter-Reformation
B.
adhere to Neoclassical principles of painting.
C.
emphasize the sensual lines of the woman's body.
D.
create a monstrous woman.
Question #4
Which of the following is NOT true of Ingres' La Grande Odalisque?
A.
Trained in the academic tradition of Neoclassicism, Ingres' paintings suggest a bridge toward the sensual and exotic themes of Romanticism.
B.
The image reveals a tension between sensual and tactile elements that engage the viewer and those that distance her from us.
C.
Ingres had never seen an odalisque in a harem, so this painting is a fantasized construction what such a woman might look like.
D.
The painting shows respect for non-Western attitudes to sexuality.
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