Music 105 - Understanding Music » Spring 2022 » Quiz 3 The Baroque Period
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Question #1
The early baroque was characterized by
A.
elaborate counterpoint.
B.
homophonic texture.
C.
development of the standardized orchestra.
D.
diffusion of the style into every corner of Europe.
Question #2
A sonata to be played at court, and therefore dancelike in character, was called a
A.
trio sonata.
B.
sonata da camera.
C.
sonata da chiesa.
D.
tarantella.
Question #3
The theorbo is a(n)
A.
bass woodwind instrument similar to the bassoon.
B.
plucked string instrument capable of producing chords as well as a bass line.
C.
electronic instrument whose tone is generated by oscillators.
D.
keyboard instrument suitable for playing basso continuo parts.
Question #4
Vivaldi spent most of his life working at an institution for orphaned and illegitimate girls in
A.
Venice.
B.
Cremona.
C.
Florence.
D.
Rome.
Question #5
A Vivaldi concerto usually has ____________ movements.
A.
four
B.
a variable number of
C.
two
D.
three
Question #6
Bach created masterpieces in every baroque form except
A.
concerto.
B.
opera.
C.
sonata.
D.
fugue.
Question #7
Bach achieves unity of mood in his compositions by using
A.
homophonic texture.
B.
musical symbolism.
C.
simple melodic ideas.
D.
an insistent rhythmic drive.
Question #8
Monteverdi, an early baroque composer, strove to create music that was
A.
placid and smooth.
B.
passionate and dramatic.
C.
extremely complex.
D.
difficult to perform.
Question #9
Although all the movements of a baroque suite are in the same key, they differ in
A.
meter.
B.
national origin.
C.
tempo.
D.
All answers are correct.
Question #10
In contrast to fugues, baroque suites tended to have ____________ because they were based on dance steps.
A.
foot stomps and hand claps
B.
melodies in minor keys
C.
balanced and symmetrical phrases
D.
choral singers
Question #11
The various dances of the baroque suite are usually
A.
in AABB form.
B.
polyphonic in texture.
C.
in ABA form.
D.
in theme and variation form.
Question #12
In their use of aria, duet, and recitative, Bach's cantatas closely resembled the ____________ of the time.
A.
operas
B.
sonatas
C.
suites
D.
concertos
Question #13
A large-scale composition for chorus, vocal soloists, and orchestra, usually set to a narrative biblical text, is called a(n)
A.
chorale.
B.
aria.
C.
oratorio.
D.
recitative.
Question #14
Oratorio differs from opera in that it has no
A.
vocal soloists.
B.
orchestral accompaniment.
C.
choral part.
D.
acting, scenery, or costumes.
Question #15
George Frideric Handel was born in 1685, the same year as
A.
Antonio Vivaldi.
B.
Arcangelo Corelli.
C.
Claudio Monteverdi.
D.
Johann Sebastian Bach.
Question #16
Handel's Messiah is an example of
A.
an opera.
B.
musical theater.
C.
an oratorio.
D.
a song.
Question #17
Where did Handel's Messiah receive its premiere?
A.
Venice
B.
Austria
C.
Ireland
D.
London
Question #18
Modern historians use the term baroque to indicate
A.
a period of decline in the arts.
B.
a class of musical instruments that no longer function.
C.
a scientific movement popular in the seventeenth century.
D.
a particular style in the arts, involving action and movement.
Question #19
Affections in baroque usage refers to
A.
emotional states or moods of music.
B.
terraced dynamics.
C.
the nobility's manner of deportment.
D.
the doctrine of universal brotherhood.
Question #20
The baroque principle of ____________ may be temporarily suspended in vocal music when drastic changes of emotion in a text inspires corresponding changes in the music.
A.
All answers are correct.
B.
basso continuo
C.
terraced dynamics
D.
unity of mood
Question #21
The compelling drive and energy in baroque music are usually provided by
A.
complex harmonic progressions.
B.
the high dynamic level.
C.
a bawdy text.
D.
repeated rhythmic patterns.
Question #22
Baroque melodies often are
A.
short and simple.
B.
impossible to play.
C.
easy to sing and remember.
D.
elaborate and ornamental.
Question #23
Melodic sequence refers to
A.
the pedagogical steps in learning to play an instrument.
B.
a preferred method of tuning an instrument.
C.
a composition by Vivaldi.
D.
the successive repetition of a musical idea at higher or lower pitches.
Question #24
Terraced dynamics refers to
A.
a gradual change from loud to soft.
B.
the sudden alternation from one dynamic level to another.
C.
a gradual change from soft to loud.
D.
dynamics that are not written in the music but added by the performer.
Question #25
A bass part together with numbers that specify the chords to be played above it is called
A.
basso profundo.
B.
counterpoint.
C.
sequenced bass.
D.
figured bass.
Question #26
A large court during the baroque period might employ about ____________ performers.
A.
120
B.
18
C.
80
D.
24
Question #27
Frederick the Great, king of Prussia, was a
A.
composer.
B.
general.
C.
flutist.
D.
All answers are correct.
Question #28
In Italy, music schools were often connected with
A.
universities.
B.
orphanages.
C.
courts of the nobility.
D.
public schools.
Question #29
A concerto grosso most often has ____________ movement(s).
A.
three
B.
two
C.
one
D.
four
Question #30
The large group of players in a concerto grosso is known as the
A.
soloists.
B.
orchestra.
C.
tutti.
D.
concertino.
Question #31
The solo instruments in Bach's Brandenburg Concerto No. 5 are the ____________, violin, and harpsichord.
A.
flute
B.
oboe
C.
trumpet
D.
cello
Question #32
Bach's Brandenburg Concerto No. 5 is unusual in that
A.
it gives a solo role to the harpsichord.
B.
it consists of four movements.
C.
it consists of a single movement.
D.
the first movement is not in typical ritornello form.
Question #33
In many fugues, the subject in one voice is constantly accompanied in another voice by a different melodic idea called a(n)
A.
stretto.
B.
episode.
C.
answer.
D.
countersubject.
Question #34
Transitional sections of a fugue that offer either new material or fragments of the subject or countersubject are called
A.
strettos.
B.
answers.
C.
episodes.
D.
preludes.
Question #35
____________ is a musical procedure in which a fugue subject is imitated before it is completed.
A.
Diminution
B.
Stretto
C.
Retrograde
D.
Augmentation
Question #36
The text, or book, of a musical dramatic work is called the
A.
score.
B.
form.
C.
libretto.
D.
story.
Question #37
The two giants of baroque composition were George Frideric Handel and
A.
Johann Sebastian Bach.
B.
Johann Christian Bach.
C.
Galileo Galilei.
D.
Giovanni Gabrieli.
Question #38
Members of the Camerata wanted to create a new vocal style based on the
A.
polyphonic madrigal.
B.
music of the ancient Greek tragedies.
C.
glories of their aristocratic patrons.
D.
organum of the Middle Ages.
Question #39
Most early baroque operas were based on Greek mythology and
A.
contemporary political events.
B.
ancient history.
C.
contemporary exploration of the new world.
D.
lyric poetry.
Question #40
The earliest opera that has been preserved is Jacopo Peri's
A.
Euridice.
B.
Orfeo.
C.
Nerone.
D.
Arsace.
Question #41
The stage machinery of baroque opera
A.
replaced set designs.
B.
bordered on the colossal.
C.
was nonexistent.
D.
was very primitive.
Question #42
Castrati
A.
received the highest fees of any musicians.
B.
All answers are correct.
C.
were male singers who had been castrated before puberty.
D.
combined the lung power of a man with the vocal range of a woman.
Question #43
A typical baroque operatic form was the da capo aria in ABA form in which the singer
A.
would make a literal repetition of the opening A section after the B section.
B.
would improvise new words for the returning A section.
C.
would insert recitatives between the sections for added variety.
D.
was expected to embellish the returning melody with ornamental tones.
Question #44
To evoke angry or warlike feelings in some of his texts, Monteverdi introduced new orchestral effects, including pizzicato and
A.
sul ponticello.
B.
double stops.
C.
col legno.
D.
tremolo.
Question #45
In the myth of Orpheus, Orpheus goes to Hades in the hope of bringing ____________ back to life.
A.
Eurydice
B.
Persephone
C.
Phyllis
D.
Oriana
Question #46
A.
the Netherlands.
B.
Germany.
C.
Italy.
D.
France.
Question #47
Baroque trio sonatas usually involve ____________ performers.
A.
two
B.
five
C.
four
D.
three
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