Music 120 - Music Appreciation » Fall 2019 » Quiz 18

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Question #1
Composers in the Renaissance often used ________ in one voice as a basis for elaborate ornamentation in other voices.
A.   Spain.
B.   Italy.
C.   Greece.
D.   England.
Question #2
Despite being of northern European birth, Josquin spent most of his career in
A.   by using a homorhythmic texture
B.   by using long note values
C.   All possible answers.
D.   by using a full-chord sound
Question #3
How does Josquin create musical contrast in the final two lines of the text, "O Mater Dei, memento mei"?
A.   TRUE
B.   FALSE
Question #4
Humanism was inspired by ancient Greek and Roman cultures.
A.   Latin
B.   German
C.   Italian
D.   French
Question #5
In which language is the text of Josquin’s motet written?
A.   during the triple meter sections.
B.   He does not incorporate an older Gregorian chant.
C.   only briefly at the beginning.
D.   as a cantus firmus throughout the whole work.
Question #6
Josquin’s Ave Maria...virgo serena incorporates an older Gregorian chant
A.   TRUE
B.   FALSE
Question #7
One of the most popular subjects of the sacred Renaissance motet was the Virgin Mary.
A.   Religious belief was a core aspect of identity.
B.   Worshippers focused on the Virgin Mary.
C.   Religious belief shifted to a more personal connection with the divine.
D.   The Renaissance was an age of unquestioning faith.
Question #8
Which of the following statements about religion during the Renaissance is NOT true?
A.   FALSE
B.   TRUE
Question #9
Renaissance music generally featured consonant harmonies.
A.   TRUE
B.   FALSE
Question #10
Renaissance sacred music was generally performed with instruments.
A.   sacred; secular
B.   secular; personal
C.   secular; sacred
D.   personal; sacred
Question #11
The Renaissance marks the passing of European society from a predominantly ______ to a more ______ one.
A.   fifteenth century
B.   fourteenth century
C.   seventeenth century
D.   sixteenth century
Question #12
The ________ is regarded as the golden age of the a cappella style.
A.   FALSE
B.   TRUE
Question #13
The art and literature of ancient Greece and Rome was of little interest to artists and writers in the Renaissance.
A.   the text is a rhymed poem.
B.   the meter changes within the piece, moving from duple to triple and back to duple.
C.   each voice sings a different text in praise of the Virgin Mary.
D.   there is a musical reference to a preexisting plainchant.
Question #14
The following statements are true about Josquin’s motet EXCEPT which one?
A.   trained male singers.
B.   trained female singers.
C.   trained male and female singers.
D.   the church congregation.
Question #15
The multivoiced sacred music of the Renaissance was sung by
A.   imitative polyphony.
B.   homorhythmic.
C.   monophony.
D.   non-imitative polyphony.
Question #16
The predominant texture in Josquin’s motet Ave Maria...virgo serena is
A.   Saint Anne.
B.   Hildegard of Bingen.
C.   the Virgin Mary.
D.   the Holy Spirit.
Question #17
The text of Josquin’s motet Ave Maria...virgo serena praises the virtues of
A.   FALSE
B.   TRUE
Question #18
The use of a fixed melody in one voice was a compositional technique found in sacred Renaissance motets.
A.   dissonant melody
B.   polyphonic melody
C.   preexisting melody
D.   rhythmic mode
Question #19
What is a cantus firmus?
A.   fuller chords
B.   All possible answers.
C.   carefully controlled dissonance
D.   "sweeter" thirds and sixths

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