A.   Scientific, mathematical formula for creating the illusion of three-dimensional spatial recession on a two-dimensional surface using receding parallel lines& a vanishing point.

B.   Historic linking of two concepts. One is valued over the other, both are viewed as absolutes & they are seen in conflict.

C.   Aztec Earth Goddess, "She of the Serpent Skirts".

D.   Stepped pyramidal platform for a temple, in Ancient Sumer.

E.   A form of fine arts printmaking in which the image is carved into a block of wood, inked, then printed multiple times on paper.

A.   Aztec Earth Goddess, "She of the Serpent Skirts".

B.   A form of fine arts printmaking in which the image is carved into a block of wood, inked, then printed multiple times on paper.

C.   Scientific, mathematical formula for creating the illusion of three-dimensional spatial recession on a two-dimensional surface using receding parallel lines & a vanishing point.

D.   Historic linking of two concepts. One is valued over the other, both are viewed as absolutes & they are seen in conflict.

E.   Stepped pyramidal platform for a temple, in Ancient Sumer.

A.   Stepped pyramidal platform for a temple, in Ancient Sumer.

B.   Historic linking of two concepts. One is valued over the other, both are viewed as absolutes & they are seen in conflict.

C.   Scientific, mathematical formula for creating the illusion of three-dimensional spatial recession on a two-dimensional surface using receding parallel lines & a vanishing point.

D.   A form of fine arts printmaking in which the image is carved into a block of wood, inked, then printed multiple times on paper.

E.   Aztec Earth Goddess, "She of the Serpent Skirts".

A.   A form of fine arts printmaking in which the image is carved into a block of wood, inked, then printed multiple times on paper.

B.   Scientific, mathematical formula for creating the illusion of three-dimensional spatial recession on a two-dimensional surface using receding parallel lines & a vanishing point.

C.   Historic linking of two concepts. One is valued over the other, both are viewed as absolutes & they are seen in conflict.

D.   Aztec Earth Goddess, "She of the Serpent Skirts".

E.   Stepped pyramidal platform for a temple, in Ancient Sumer.

A.   Historic linking of two concepts. One is valued over the other, both are viewed as absolutes & they are seen in conflict.

B.   Scientific, mathematical formula for creating the illusion of three-dimensional spatial recession on a two-dimensional surface using

C.   Stepped pyramidal platform for a temple, in Ancient Sumer.

D.   A form of fine arts printmaking in which the image is carved into a block of wood, inked, then printed multiple times on paper.

E.   Aztec Earth Goddess, "She of the Serpent Skirts".

A.   bell hooks

B.   Edward Said

C.   Marshall McLuhan

A.   How popular culture is a system of education.

B.   How text and images of the Near East stereotyped their culture for Europeans.

C.   How seeing is affected by what we know or what we believe.

A.   Gianlorenzo Bernini

B.   Jacques Louis David

C.   Caravaggio

D.   Louis XIV

A.   French term meaning "advance guard" In general, t refers to innovative art

B.   Literally, the seat of the bishop: the bishop's primary or "home" church

C.   The period from the mid-18th to late 17th centuries during which the Catholic Church responded to the Protestant Revolution with a vigorous social & artistic campaign.

D.   The ability to "read" the language of visual images

E.   Literally, "dark room," a lightproof box with a lens for projecting an image of an object or scene onto a surface from which the image can be viewed or traced

A.   The ability to "read" the language of visual images

B.   Literally, the seat of the bishop: the bishop's primary or "home" church

C.   Literally, "dark room," a lightproof box with a lens for projecting an image of an object or scene onto a surface from which the image can be viewed or traced

D.   French term meaning "advance guard" In general, t refers to innovative art

E.   The period from the mid-18th to late 17th centuries during which the Catholic Church responded to the Protestant Revolution with a vigorous social & artistic campaign.

A.   Literally, the seat of the bishop: the bishop's primary or "home" church

B.   The period from the mid-18th to late 17th centuries during which the Catholic Church responded to the Protestant Revolution with a vigorous social & artistic campaign.

C.   The ability to "read" the language of visual images

D.   French term meaning "advance guard" In general, t refers to innovative art

E.   Literally, "dark room," a lightproof box with a lens for projecting an image of an object or scene onto a surface from which the image can be viewed or traced

A.   Literally, "dark room," a lightproof box with a lens for projecting an image of an object or scene onto a surface from which the image can be viewed or traced

B.   The ability to "read" the language of visual images

C.   The period from the mid-18th to late 17th centuries during which the Catholic Church responded to the Protestant Revolution with a vigorous social & artistic campaign.

D.   French term meaning "advance guard" In general, t refers to innovative art

E.   Literally, the seat of the bishop: the bishop's primary or "home" church

A.   The period from the mid-18th to late 17th centuries during which the Catholic Church responded to the Protestant Revolution with a vigorous social & artistic campaign.

B.   The ability to "read" the language of visual images

C.   French term meaning "advance guard" In general, t refers to innovative art

D.   Literally, "dark room," a lightproof box with a lens for projecting an image of an object or scene onto a surface from which the image can be viewed or traced

E.   Literally, the seat of the bishop: the bishop's primary or "home" church