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Music 120 - Music Appreciation » Fall 2022 » Midterm 2

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Question #1

The concerto

A. was a Renaissance genre that gained popularity in the Baroque era.

B. was a large-scale music drama with acting, scenery, and costumes.

C. was a new instrumental genre of the Baroque era featuring an instrumental soloist and orchestra.

D. grew out of the lavish aristocratic weddings of the Renaissance.

Question #2

Which of the following describe William Billings’s contributions to American music history?

A. All answers are correct.

B. contributing songs to the cause of independence from Great Britain

C. cultivating a tradition of American psalmody

D. emphasizing the institutional importance of music

Question #3

Vivaldi wrote instrumental music that depicts a scene without the use of sung words, a genre called

A. song.

B. absolute music.

C. program music or "sound story"

D. intentional music.

Question #4

The solo instrument featured in Vivaldi’s Spring concerto is the

A. cello.

B. double bass.

C. violin.

D. harpsichord.

Question #5

A highly structured contrapuntal form based on a single theme or subject is a

A. prelude.

B. da capo.

C. toccata.

D. fugue.

Question #6

The Classical concerto form has ______ movements.

A. three

B. five

C. two

D. six

Question #7

Which of the following describes a typical string quartet ensemble?

A. two violins, two cellos

B. two violins, one viola, one cello

C. one violin, one viola, two cellos

D. violin, viola, cello, double bass

Question #8

Which family of enormously wealthy Hungarian princes famous for their patronage of the arts did Haydn work for?

A. St. Stephen

B. Salieri

C. Esterházys

D. Weidinger

Question #9

W. A. Mozart was born in

A. Halle, Germany.

B. Venice, Italy.

C. London, England.

D. Salzburg, Austria.

Question #10

Music with no literary basis or story explicitly stated by the composer is referred to as

A. incidental music.

B. absolute music.

C. program music.

D. thematic music.

Question #11

A symphony

A. All answers are correct.

B. was a new genre of the Classical era.

C. is a multimovement work.

D. is a work written for an orchestra.

Question #12

________ form became a favorite resource for instrumental composers since the musical story it can tell is significantly more dynamic than other forms.

A. Rondo

B. Sonata-allegro

C. Minuet-and-trio

D. Theme and variations

Question #13

Which describes the instruments heard in this ensemble?

A. saxophones

B. violin, viola, cello, double bass

C. flute, oboe, clarinet, bassoon

D. two violins, one viola, one cello (string quartet)

Question #14

Why is Haydn’s Symphony No. 94 nicknamed “Surprise”?

A. A sudden loud chord during the slow movement startled the dozing audience.

B. The theme in the fourth movement is based on a folksong.

C. The main tune in the second movement is cut short by pauses.

D. The emperor played viola in the first performance.

Question #15

Which describes the overall dynamics in this variation?

A. crescendo from piano to forte

B. pianissimo

C. alternating between fortissimo and piano

D. decrescendo from forte to piano

Question #16

Which of the following occurs in the development section of sonata-allegro form?

A. restatement of themes in the home key

B. two opposing themes are “exposed”

C. final cadence in the home key

D. frequent modulations, wanders through several keys

Question #17

In the Classical-era concerto, the cadenza usually appears _______ of a movement.

A. during the development section

B. during the slow introduction

C. at the beginning

D. near the end

Question #18

Which describes the overall mood of the first movement of Beethoven’s Moonlight sonata?

A. dreamy, ethereal

B. whimsical, delightful

C. romantic, passionate

D. scherzo, dancelike

Question #19

Which describes the tempo of the first movement of Beethoven’s Moonlight sonata?

A. presto

B. vivace

C. allegro

D. adagio

Question #20

Which of the following applies to Beethoven’s Fifth Symphony?

A. short-short-short-long motive appears in each movement.

B. unified by a recurring motive.

C. example of cyclical form.

D. All answers are correct.

Question #21

Which describes the opening motive of Beethoven’s Symphony No. 5?

A. short-short-short-long.

B. rhythmic.

C. All answers are correct.

D. “fate knocking at the door”.

Question #22

The text of “Ode to Joy” by Friedrich von Schiller is an expression of

A. romantic love.

B. beauties of nature.

C. universal brotherhood.

D. power and greed.

Question #23

To whom did Beethoven originally dedicate his Symphony No. 3 (Eroica)?

A. Wellington

B. Mozart

C. Haydn

D. Napoleon

Question #24

Which of the following statements about Beethoven is(are) true?

A. Beethoven’s music is considered “transitional” between the Classical era and the Romantic era.

B. Beethoven worked carefully to balance tradition with innovation in his music.

C. All answers are correct.

D. Beethoven wrote in the Classical-era forms.

Question #25

Which describes a trouser role?

A. the role of a teenage boy, sung by a young tenor

B. the role of a teenage boy, sung by a mezzo-soprano

D. the role of a teenage girl, dressing as a young man

Question #26

Mozart’s comic operas

A. still speak strongly to modern audiences with messages of social unfairness and the rights of individuals.

B. were not well received during his lifetime but are having a resurgence with modern audiences.

C. focused on delighting audiences and avoided cultural or political messages.

D. drew from stories of antiquity featuring kings and heroes.

Question #27

Which describes the singing style in this excerpt?

A. quick notes, delivered freely; recitative

B. elegant duet; aria

C. lyrical lines; aria

D. patter-like syllabic singing; aria

Question #28

The singers in this excerpt are accompanied by

A. the woodwind section playing pianissimo.

B. piano and cello.

C. the brass section.

D. piccolos

Question #29

The merchant class was critical to the rising success of the lighter opera buffa style in the Classical era.

A. False

B. True

Question #30

A musical setting of the Mass for the Dead is called

A. a Requiem.

B. the Mass Proper.

C. an oratorio.

D. the Ordinary.

Question #31

Mozart’s Requiem was the composer’s last work and was left incomplete.

A. True

B. False

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