Music 120 - Music Appreciation » Fall 2019 » Part 4 Exam
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Question #1
The overall form of a minuet and trio is best outlined as
A.
A-B-C-D-E-F-A.
B.
A-B.
C.
A-B-A-C-A-B-A.
D.
A-B-A.
Question #2
The first movement of a Classical concerto is in sonata-allegro form with a
A.
slow introduction.
B.
double coda.
C.
double exposition.
D.
fugal recapitulation.
Question #3
________ is when a theme or musical idea from one movement returns in a later one.
A.
Theme and variations
B.
Rondo form
C.
Sonata-allegro form
D.
Cyclical form
Question #4
In musical compositions, a theme is
A.
the composition’s overall mood.
B.
a musical idea that is used as a building block.
C.
the composition’s underlying meaning.
D.
a literary story that is associated with the work.
Question #5
Beethoven’s Piano Sonata in C-sharp minor, Op. 27, No. 2 was subtitled Moonlight by
A.
the composer.
B.
modern publishers.
C.
the poet Rellstab, shortly after the composer’s death.
D.
the publisher.
Question #6
Serious opera was almost invariably sung in
A.
German.
B.
Italian.
C.
English.
D.
French.
Question #7
A musical setting of the Mass for the Dead is called a(n)
A.
oratorio.
B.
cantata.
C.
opera.
D.
Requiem.
Question #8
Beethoven suffered from perhaps the most traumatic of all maladies for a musician. What was it?
A.
blindness
B.
diabetes
C.
deafness
D.
paralysis
Question #9
The Classical concerto emphasized the combination of a solo group and orchestra.
A.
TRUE
B.
FALSE
Question #10
The nickname “father of the symphony” was earned by
A.
Beethoven.
B.
Bach.
C.
Haydn.
D.
Mozart.
Question #11
The long-necked, plucked string instrument common in North Indian classical music is called the
A.
theorbo.
B.
tala.
C.
tabla.
D.
sitar.
Question #12
A typical feature of a concerto is a free solo passage without orchestral accompaniment called the
A.
introduction.
B.
development.
C.
cadenza.
D.
codetta.
Question #13
How many movements are in a Classical concerto?
A.
six
B.
three
C.
two
D.
four
Question #14
The three main sections of sonata-allegro form are the exposition, the development, and the
A.
coda.
B.
bridge.
C.
recapitulation.
D.
trio.
Question #15
A composer can fragment a theme by dividing it into smaller units called
A.
codas.
B.
sequences.
C.
modulations.
D.
motives.
Question #16
During the Classical era, the prevalent form of opera, which contained many recitatives and arias designed to display virtuosity, was called
A.
opera buffa.
B.
Singspiel.
C.
opéra comique.
D.
opera seria.
Question #17
Comic opera was generally sung in
A.
the vernacular.
B.
German.
C.
Italian.
D.
French.
Question #18
An ensemble of the four instrumental families is called a(n)
A.
concert band.
B.
orchestra.
C.
band.
D.
wind ensemble.
Question #19
Which of the following is a type of thematic development?
A.
All answers shown here.
B.
breaking up a theme into motives
C.
treating a motive in sequence
D.
expanding a motive into a long melody
Question #20
How many movements does Beethoven’s Symphony No. 5 have?
A.
five
B.
four
C.
three
D.
one
Question #21
Where was Beethoven born?
A.
Germany
B.
England
C.
France
D.
Italy
Question #22
Which of the following was a favored sonata instrumentation during the late eighteenth century?
A.
All answers shown here.
B.
piano and violin
C.
piano and cello
D.
piano alone
Question #23
Which of the following is a common characteristic of the second movement of a multimovement cycle?
A.
a slow introduction
B.
dance rhythms
C.
lyrical, songful melodies
D.
all of the above
Question #24
A rondo is most typically found in the ________ movement of a Classical multimovement cycle.
A.
first
B.
third
C.
second
D.
last
Question #25
Which of the following best describes the opening idea of Beethoven’s Symphony No. 5?
A.
a dancelike theme
B.
a three-note motive
C.
a four-note motive
D.
a rocket theme
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