Music 120 - Music Appreciation » Fall 2019 » Quiz 39

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Question #1
"Tempo rubato" translates as
A.   "in strict time."
B.   "quick tempo."
C.   "rhythmic tempo."
D.   "robbed time."
Question #2
After his conservatory studies, Chopin spent most of his productive career in
A.   London, England.
B.   Warsaw, Poland.
C.   Vienna, Austria.
D.   Paris, France.
Question #3
Chopin paid homage to his Eastern European ancestry by composing
A.   mazurkas and polonaises.
B.   sonatas and concertos.
C.   etudes and scherzos.
D.   preludes and nocturnes.
Question #4
Chopin taught his students to play rubato by keeping the right hand steady, while the music in the left hand hesitated and hurried forward.
A.   TRUE
B.   FALSE
Question #5
Factory production of the nineteenth-century piano meant
A.   reduced cost.
B.   All possible answers.
C.   it became a fixture in middle class homes.
D.   it became a fixture in upper class homes.
Question #6
What was Chopin’s native land?
A.   Poland
B.   Italy
C.   Germany
D.   France
Question #7
Which are technical advances made to the piano during the nineteenth century?
A.   metal frame, increased string tension
B.   improved mechanical action
C.   extended range
D.   All possible answers.
Question #8
The polonaise represents musical nationalism because it is a
A.   French song.
B.   Russian lullaby.
C.   Polish lullaby.
D.   Polish dance.
Question #9
Which statement about the nineteenth-century piano is NOT true?
A.   The piano was the most expressive, technologically versatile instrument available.
B.   The piano was the most central instrument in nineteenth-century musical culture.
C.   The piano became a popular instrument for amateur musicians in the nineteenth century.
D.   There were few technological improvements made to the piano during the nineteenth century.
Question #10
Works with fanciful titles are _______ pieces.
A.   concert
B.   chamber
C.   nationalistic
D.   character
Question #11
The instrumental equivalent to the song was the
A.   concerto.
B.   character piece.
C.   Lied.
D.   sonata.
Question #12
The most valued aspect(s) of the nineteenth-century piano
A.   is its suitability for polyphonic and homophonic textures.
B.   are the sets of pipes that create contrasting tone colors.
C.   is the unique sound production by plucking of quills.
D.   is its ability to play melodies.
Question #13
The musical elements that contribute to the "military splendor" in Chopin’s Polonaise include all of the following EXCEPT:
A.   modal harmonies.
B.   unrelenting polonaise rhythm.
C.   bold rhythmic chords.
D.   dotted martial theme.
Question #14
What describes the character of Chopin’s Military Polonaise?
A.   dreamy
B.   dancelike
C.   melancholic
D.   marchlike
Question #15
Which American piano maker took the top award at the Paris Exhibition of 1887?
A.   Steinway
B.   Baldwin
C.   Chickering
D.   Yamaha
Question #16
Which city was the center of the new Romanticism of the 1830s?
A.   Warsaw
B.   New York
C.   Paris
D.   Vienna
Question #17
Which composer is credited with originating the modern piano style?
A.   Beethoven
B.   Chopin
C.   Liszt
D.   Mozart
Question #18
Which describes Chopin’s compositional output?
A.   He composed in most genres except opera.
B.   He wrote sacred and secular works.
C.   He wrote almost exclusively for the piano.
D.   He composed piano music and string quartets.
Question #19
Which describes the character of Chopin’s nocturnes?
A.   stately and patriotic
B.   marchlike and virtuosic
C.   melancholic and meditative
D.   noble and expansive
Question #20
Which does NOT apply to Chopin’s compositional style?
A.   harmonies sustained by the pedal
B.   strict adherence to forms established by Classical composers
C.   delicate ornaments in his melodies
D.   widely spaced chords in the left hand

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