Music 120 - Music Appreciation » Fall 2019 » Quiz 48

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Question #1
At which point in the Libera me does the choir sing fortissimo?
A.   "die illa tremenda" ("that fearful day")
B.   "Requiem aeternam" ("grant them eternal rest")
C.   "lux perpetua" ("perpetual light")
D.   Dies irae text
Question #2
A musical setting of the Mass for the Dead is called
A.   the Mass Proper.
B.   a Requiem.
C.   an oratorio.
D.   the Ordinary.
Question #3
Fauré’s Requiem
A.   was discovered in 1989 and only recently performed for the first time.
B.   was played at John F. Kennedy’s funeral.
C.   premiered in Paris for the funeral of a well-known architect.
D.   premiered at his own funeral.
Question #4
Fauré’s career included all of the following positions except:
A.   organist.
B.   music critic.
C.   orchestral conductor.
D.   conservatory leader.
Question #5
Fauré’s intention in writing his Requiem was to show death as "a painful experience."
A.   TRUE
B.   FALSE
Question #6
Fauré’s original ensemble plan for his Requiem was a(n)
A.   small chamber orchestra minus violins.
B.   solo organ.
C.   full orchestra plus extra brass.
D.   a cappella choir.
Question #7
French Romantic-era song composers were drawn to the poets of which movement?
A.   Greek revivalist
B.   Symbolist
C.   Provençal troubadours
D.   Elizabethan
Question #8
Which does NOT describe Fauré’s compositions?
A.   highly influenced and inspired by Wagner
B.   interest in small forms
C.   influenced by French Impressionism
D.   dozens of French songs
Question #9
How long did Fauré work on his Requiem?
A.   ten years
B.   more than twenty years
C.   eighteen weeks
D.   twenty-four days
Question #10
In his Requiem, Fauré included nonstandard versions of traditional liturgical texts.
A.   FALSE
B.   TRUE
Question #11
In which language is Fauré’s Libera me from Requiem written?
A.   English
B.   French
C.   Italian
D.   Latin
Question #12
Symbolist poetry gave French song composers the opportunity to explore
A.   subtlety and ambiguity.
B.   the macabre and supernatural.
C.   distorted and jarring elements.
D.   literary realism.
Question #13
The French Romantic mélodie parallels the German Lied tradition.
A.   TRUE
B.   FALSE
Question #14
The French mélodie was inspired by the songs of Schubert.
A.   TRUE
B.   FALSE
Question #15
The French song genre that paralleled the German Lied in the nineteenth century was the
A.   mélodie.
B.   chanson.
C.   rondeau.
D.   frottola.
Question #16
The Libera me movement of Fauré’s Requiem closes
A.   a cappella.
B.   serenely.
C.   fortissimo.
D.   abruptly.
Question #17
What is the translation of "requiem"?
A.   "death"
B.   "day of judgment"
C.   "departed"
D.   "rest"
Question #18
Which is NOT true of Fauré’s Requiem?
A.   The original concept was small in scale.
B.   It is most often heard in full orchestral arrangement.
C.   There is only one version of this work.
D.   Brass were added later to brighten the sound.
Question #19
Which is NOT true of Fauré’s use of text in his Requiem?
A.   The word "requiem" pervades the entire work.
B.   Fauré edited the texts freely.
C.   Fauré used only the specified texts and prayers prescribed by the Catholic Church for the Requiem Mass.
D.   Fauré used Latin liturgical texts.
Question #20
Which is true of the Libera me movement from Fauré’s Requiem?
A.   The second version is scored for baritone solo, chorus, and orchestra.
B.   All statements are true.
C.   It was composed years earlier.
D.   It was originally written for baritone and organ.

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