Music 120 - Music Appreciation » Fall 2019 » Quiz 52
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Question #1
From which phase of Schoenberg’s compositional output does Pierrot lunaire originate?
A.
his last, American phase
B.
his second period, atonal-Expressionism
C.
his third period, twelve-tone technique
D.
his early works, post-Wagnerian Romanticism
Question #2
In Schoenberg’s Pierrot lunaire, Pierrot is a(n)
A.
troubled clown
B.
opera singer.
C.
medieval knight and hero.
D.
fortune-teller.
Question #3
In which discipline of the arts did Expressionism originate?
A.
music
B.
painting
C.
dance
D.
literature
Question #4
Klangfarbenmelodie is a technique in which
A.
each note of a melodic line is played randomly by different instruments.
B.
successive notes of a melodic line are played simultaneously.
C.
each note of a melodic line is played by a different instrument.
D.
each note of the melody clashes with another note.
Question #5
Music that rejects the framework of key is called
A.
polyphonic.
B.
atonal.
C.
multiphonic.
D.
polytonal.
Question #6
Schoenberg was born in
A.
Los Angeles.
B.
Paris.
C.
Berlin.
D.
Vienna.
Question #7
Schoenberg devised a new way to organize sound called the "twelve-tone" method.
A.
TRUE
B.
FALSE
Question #8
Schoenberg’s Pierrot lunaire is
A.
a song cycle.
B.
a symphonic poem.
C.
incidental music.
D.
an opera.
Question #9
Schoenberg’s most important students were
A.
Nadia and Lili Boulanger.
B.
Alban Berg and Anton Webern.
C.
Igor Stravinsky and Béla Bartók.
D.
All possible answers.
Question #10
Dissonances do not always resolve to consonances in twentieth-century music.
A.
TRUE
B.
FALSE
Question #11
The German word Sprechstimme means
A.
broken melody.
B.
opera melody.
C.
high-pitched melody.
D.
speechlike melody.
Question #12
The art of _____, who is famous for his painting The Scream, influenced Arnold Schoenberg and his disciples.
A.
Edvard Munch
B.
Franz Kafka
C.
Pablo Picasso
D.
Oskar Kokoschka
Question #13
What do the Impressionist and Expressionist composers have in common?
A.
Composers of both movements were centered in France.
B.
All statements are true.
C.
They were influenced by movements in painting.
D.
Both explored radiant impressions of the outer world.
Question #14
Where did Schoenberg teach in his later years?
A.
University of California, Los Angeles
B.
Leipzig Conservatory
C.
New York University
D.
New York University
Question #15
Which Baroque-era compositional technique is NOT used in The Moonfleck?
A.
strict canon in diminution
B.
strict canon in retrograde
C.
ritornello form
D.
three-voice fugue
Question #16
Which composer is associated with the Expressionist movement?
A.
All possible answers.
B.
Arnold Schoenberg
C.
Alban Berg
D.
Anton Webern
Question #17
Which describes Pierrot’s actions in The Moonfleck?
A.
Pierrot is disturbed by a white spot on the collar of his jet-black jacket.
B.
With a grotesquely large bow, Pierrot serenades on a viola in the moonlight.
C.
The moon illuminates a crystal flask as Pierrot paints his face.
D.
Pierrot revels in memories of old times as he gazes at the moon.
Question #18
Which describes the instrumentation of Pierrot lunaire?
A.
female vocalist and chamber ensemble of five players on eight instruments
B.
solo voice and piano
C.
solo voice, string quartet, and piano
D.
female vocalist and string quartet
Question #19
Which is NOT true of the text of Schoenberg’s Pierrot lunaire?
A.
The text is drawn from a collection of poems by the Belgian poet Albert Giraud
B.
Schoenberg used three poems from a collection of French Symbolist poetry.
C.
The poetry is in German translation.
D.
Each poem is a rondeau (a fifteenth century verse form).
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