Music 120 - Music Appreciation » Fall 2019 » Quiz 57

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Question #1
Artists associated with the Harlem Renaissance were more interested in fostering musical traditions that they understood as more thoroughly African American—blues, jazz, and spirituals—than in encouraging the development of modernist art music.
A.   TRUE
B.   FALSE
Question #2
As a young person, William Grant Still was hired to write arrangements for
A.   Duke Ellington.
B.   the New York Philharmonic.
C.   All possible answers.
D.   radio and musical theater.
Question #3
Authors of essays in The New Negro wrote of racial equality and cultural pride in the black community.
A.   FALSE
B.   TRUE
Question #4
From where does "Harlem stride piano" originate?
A.   ragtime
B.   parlor songs
C.   the swing era
D.   the blues
Question #5
In the third movement of his Suite for Violin and Piano, Still composed melodies featuring lowered thirds and sevenths, typical of the blues.
A.   FALSE
B.   TRUE
Question #6
Where did William Grant Still grow up?
A.   Pittsburgh, Pennsylvania
B.   St. Louis, Missouri
C.   New Orleans, Louisiana
D.   Little Rock, Arkansas
Question #7
Still’s Suite for Violin and Piano contains how many movements?
A.   one
B.   three
C.   four
D.   two
Question #8
Early twentieth-century American composers
A.   wrote only "popular" music for mass markets.
B.   fully embraced the modernism of the Second Viennese School.
C.   continued in the German Romantic tradition.
D.   sought to define a unique tradition of American modernism.
Question #9
The Harlem Renaissance
A.   funded major renovations to theaters in upper Manhattan.
B.   was a cultural movement celebrating African American contributions.
C.   encouraged African Americans to embrace European traditions.
D.   was inspired by fifteenth-century artists and composers.
Question #10
The Harlem Renaissance took place in the
A.   1820s and 30s.
B.   1920s and 30s.
C.   1880s and 90s.
D.   1950s and 60s.
Question #11
The ideas from ______ are credited with sparking the so-called Harlem Renaissance.
A.   "The Negro Speaks of Rivers"
B.   The New Negro
C.   "How it Feels to Be Colored Me"
D.   African Dancer
Question #12
The insistent bass in the last movement of William Grant Still’s Suite for Violin and Piano resembles which jazz piano style?
A.   Boogie-woogie
B.   montuno
C.   swing
D.   stride
Question #13
The third movement of Still’s Suite for Violin and Piano embraces blues and jazz resources utilizing all of the following except
A.   a syncopated violin line.
B.   call-and-response between violin and piano.
C.   improvisation.
D.   modal harmonies.
Question #14
The third movement of Still’s Suite for Violin and Piano is programmatic and is meant to evoke
A.   Harlem "street urchins."
B.   Harlem nightclub life.
C.   an African dancer.
D.   the culture of Rochester.
Question #15
The third movement of Still’s Suite for Violin was inspired by
A.   Mother and Child, a chalk on paper drawing by Sargent Johnson.
B.   African Dancer, a sculpture by Richmond Barthé.
C.   Gamin, a sculpture of a street-smart kid in Harlem, by Augusta Savage.
D.   The Weary Blues, by Langston Hughes.
Question #16
The violin plays all of the following special effects in the last movement of Still’s Suite for Violin EXCEPT
A.   trills.
B.   glissandos.
C.   double stops.
D.   col legno.
Question #17
What was William Grant Still’s source of inspiration for his Suite for Violin?
A.   African American artwork
B.   Langston Hughes poetry
C.   spirituals
D.   essays from The New Negro
Question #18
Which is NOT true of William Grant Still?
A.   He had little formal education.
B.   He studied composition in New York City.
C.   He studied the violin.
D.   He left college to work as a professional musician.
Question #19
Why did Still favor the blues over spirituals as source material for his compositions?
A.   He preferred 12-bar patterns.
B.   All possible answers.
C.   He felt that the blues did not exhibit Caucasian influence.
D.   He enjoyed text repetition.
Question #20
William Grant Still
A.   broke racial barriers.
B.   looked to Harlem Renaissance artists and writers for inspiration
C.   was a representative of the Harlem Renaissance.
D.   All possible answers.

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